Among the first, and most important, is the head of French romanticism, Eugene Delacroix. While his

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Between 1822-1825, in London, Paris and Rome were published three albums with pictures for Albania. Unlike previous paintings and drawings, which were treated motifs from everyday life or historical themes, there stood only images of figures in national costumes. Through them, the Europeans were better recognized Albanian world, discovered the manner and style of how men and women wore tiny Balkan country in the nineteenth century. In different environments were exposed to some of the sights of festive costumes and everyday clothes. Only from lithographs titled album: Suits selected from Albania and Greece (J. Cartwright, Selection of the Costume of Albania and Greece), published in London in 1822, it can be said that at that time was created "footbridge" the Albanian first gear through the salons of Europe. There was various types of costumes with all their components from several provinces of the country. bulb mode Even in two other albums, where was produced bulb mode a greater number of images, images with popular clothing fashion bulb mode pasarelën Albanian meet at the beginning of the nineteenth century. In the early century was newly created picture Byron with Albanian bulb mode costume that affected bulb mode for many years in the artistic environment of the time. But if that painting was done in the studio of painter Thomas Phillips in London, and featured bulb mode a special suit, lithographs and watercolor published albums mentioned, was painted directly from nature, especially in those territories where Albanians lived. Europeans admired so a more complete range of models from the variety of costumes, estimated wealth of colors and ornaments, while the Albanians, bulb mode for their part, were honored by the people of the continent shijehollë old tradition of weaving and fashion design, which was transformed into historical memory alive in some artwork by artists J. Cartwright, L. Lipparini, OM Stackelberg, L. Dupre etc.
Albums brought, obsessed and identified precious values of breaking. Complete bulb mode editions and reprints, and reproductions on separate sheets, which continue to circulate today through auction houses or among art collectors, have become popular in many countries wardrobe contained bulb mode therein. Meanwhile, the images that spread through albums, created the continuity of new works. Through them were inspired and supported many other artists in creating thumbnail Albanian topic. From research and special studies, about nineteenth bulb mode century European painting, note that some famous painters, unable to travel bulb mode through bulb mode the Albanian lands, have borrowed the above figure albums, reproducing almost no change in their thumbnails the same topic.
Among the first, and most important, is the head of French romanticism, Eugene Delacroix. While his original paintings created admirers throughout Europe, the Albanian clothing painting, he fully supports the lithographs of the English painter J. Cartwright. In one of the most precious works of Jean-Luc Baroni Gallery in London, titled: Three men and a woman Albanian bulb mode costumes, the French master painted a figure within just four Albanians by lithographic sheets Suits selected galleries from Albania and Greece. Delacroix's style is impressive, more vigorous and vital, but in general silhouette, the positions and movements of figures, and the drawing of ornaments and decorative ornaments, bulb mode is completely identical bulb mode with the English painter's compositions. Delacroix there are also some other aquarelle and drawings based lithography is to them. Later created etude and works full color oil, joining separate figures from the album. From all this depiction, the master became more interested in the Albanian bulb mode clothing; even wanted to have them in the studio. And granted his wish painter and collector Robert August. bulb mode In the early years of the century, the mbiquajturi bulb mode August Monsieur had just returned from traveling through Albania, Greece and Egypt, bringing in Paris costumes, weapons, bijoux and other objects from the East. Delacroix borrowed some of them, drew up in detail, making the notes on the colors and the composition of textiles. bulb mode During careful study of clothing, prominent painter was interested as to areas belonging, as well as the name of the Albanian regions. Even has given, his comments Mirdita affiliation and Gjirokastra outfits. From a more careful study note that the assessment that Delacroix expressed by Byron, when he wrote in his diaries, how often brings in mind the verses bulb mode of Childe Harold, the switches all the time imagination to create, the