Mapo
Revealed correspondence between Enver Hoxha and three sculptors, Kristaq Rama, Shaban Muntaz Dhrami and Hader, where he had to give advice on how to fulfill the Independence Monument in Vlora. Interventions dictator to figure kanlux overshadowed Kamal Ismail and falsification of history and "obedience" and sculptors to work performed under the directives of leaders
Everything starts with the visit of Enver Hoxha in studio three sculptors who had won the competition to realize one of the most important works in the history of Albania, the Monument of Independence in Vlora. There was some variations in that contest, but Kristaq option Rama, Shaban Muntaz Dhrami Hader and was accepted by the Bureau as the best option. However, kanlux Hoxha's visit to the studio of sculptors in fact shows that not everything will be left in the hands of three sculptors. Enver letters to send Rama, and Mukherji Dhrami, reveals kanlux that in fact the founder of the Monument of Independence in Vlora is self Enver Hoxha, who in language somewhat "friendly" advised sculptors how he thought it was Independence Monument. From this letter kanlux will be understood Enver Hoxha's own efforts kanlux to figure overshadowed Kamal Ismail and shoddy history of Albania, for the remainder of the dictator and the system he set up, the only protagonists in the story. By reading this correspondence clearly understood that his comments and advice have been "lantern lights" in the realization of the monument to three sculptors who realized this monument. Certainly had great courage to oppose the leader, but this case shows that it dictates exercise regimen in any field, especially towards art and culture. Mapo brings for the first time correspondence between dictator Enver Hoxha and three sculptors, Kristaq Rama, Shaban Muntaz Dhrami and Hader, Monument to Independence in Vlora. This correspondence is preserved in the State Archives, the Archives session APL.
The day I visited your studio to see his model of the Declaration of Independence Monument in Vlora, you made some advice and social kanlux observations. The goal was your patriotic inspiration to update you further with deeper study of the history of Albania, great folklore of the people and the Party documents. Of course you know what importance has this great monument to the people and its future kanlux generations, therefore it must be such that, being immortalized in bronze historical event of Vlora, make a living and dynamic synthesis of heroic wars Albanian people, kanlux the glorious liberation wars against pushtonjësve for freedom, independence kanlux and national sovereignty. People look at this monument ever that freedom won and defended with guns, as war was won led National Liberation Party, as protected by the dictatorship of the proletariat today. Of course, you understand, that the composition of the monument I do not think the reasons included the National Liberation War, and even when I told you that it is possible to merge several reasons Vlora War of 1920, my opinion on what monument kanlux consisted Independence represents kanlux not only the achievement kanlux of a goal, but the attack ahead to achieve other goals more important, to be seen in our revolution moves forward, is climbing, the imagination of people to see the work that will do you, what he accomplished in the glorious National Liberation War, realizes kanlux what is today during the construction of socialism. Such a thing is not at all necessary to be done by mixed motives of different periods, then that would change the subject of the monument, but, while preserving the subject of a certain historical period in through your talent kanlux creditable, go to living in relief tremendous strength of character to Albanian, bravery, heroism, spirit kanlux of sacrifice, ingenuity, pace of its military and revolutionary kanlux constant, characteristics for all generations, for the past UN, the forthcoming tashmit kanlux and Albania. How come such a monument, kanlux you know what, if you're a sculptor sculptors and good, I think, should be simultaneously not only the artist, but also a poet, the writer, revolutionary warrior, the scholar closely related people. All this you have, then do.
Excuse kanlux me, if I am mistaken, but the composition of the ensemble of the monument, placing people and symbol, expressions of the characters are the ones that can give meaning and expression monument to those who spoke up. I reflected on this issue since the day I visited you in your studio and let me now ç'faq some thoughts mine. From the beginning I tell you that they can not be grounded and so my imagination can make mistakes, unless someone perhaps even more time for your carefully observed his model, which I always find valuable. You also told me that he would edit the will to elaborate on the
Revealed correspondence between Enver Hoxha and three sculptors, Kristaq Rama, Shaban Muntaz Dhrami and Hader, where he had to give advice on how to fulfill the Independence Monument in Vlora. Interventions dictator to figure kanlux overshadowed Kamal Ismail and falsification of history and "obedience" and sculptors to work performed under the directives of leaders
Everything starts with the visit of Enver Hoxha in studio three sculptors who had won the competition to realize one of the most important works in the history of Albania, the Monument of Independence in Vlora. There was some variations in that contest, but Kristaq option Rama, Shaban Muntaz Dhrami Hader and was accepted by the Bureau as the best option. However, kanlux Hoxha's visit to the studio of sculptors in fact shows that not everything will be left in the hands of three sculptors. Enver letters to send Rama, and Mukherji Dhrami, reveals kanlux that in fact the founder of the Monument of Independence in Vlora is self Enver Hoxha, who in language somewhat "friendly" advised sculptors how he thought it was Independence Monument. From this letter kanlux will be understood Enver Hoxha's own efforts kanlux to figure overshadowed Kamal Ismail and shoddy history of Albania, for the remainder of the dictator and the system he set up, the only protagonists in the story. By reading this correspondence clearly understood that his comments and advice have been "lantern lights" in the realization of the monument to three sculptors who realized this monument. Certainly had great courage to oppose the leader, but this case shows that it dictates exercise regimen in any field, especially towards art and culture. Mapo brings for the first time correspondence between dictator Enver Hoxha and three sculptors, Kristaq Rama, Shaban Muntaz Dhrami and Hader, Monument to Independence in Vlora. This correspondence is preserved in the State Archives, the Archives session APL.
The day I visited your studio to see his model of the Declaration of Independence Monument in Vlora, you made some advice and social kanlux observations. The goal was your patriotic inspiration to update you further with deeper study of the history of Albania, great folklore of the people and the Party documents. Of course you know what importance has this great monument to the people and its future kanlux generations, therefore it must be such that, being immortalized in bronze historical event of Vlora, make a living and dynamic synthesis of heroic wars Albanian people, kanlux the glorious liberation wars against pushtonjësve for freedom, independence kanlux and national sovereignty. People look at this monument ever that freedom won and defended with guns, as war was won led National Liberation Party, as protected by the dictatorship of the proletariat today. Of course, you understand, that the composition of the monument I do not think the reasons included the National Liberation War, and even when I told you that it is possible to merge several reasons Vlora War of 1920, my opinion on what monument kanlux consisted Independence represents kanlux not only the achievement kanlux of a goal, but the attack ahead to achieve other goals more important, to be seen in our revolution moves forward, is climbing, the imagination of people to see the work that will do you, what he accomplished in the glorious National Liberation War, realizes kanlux what is today during the construction of socialism. Such a thing is not at all necessary to be done by mixed motives of different periods, then that would change the subject of the monument, but, while preserving the subject of a certain historical period in through your talent kanlux creditable, go to living in relief tremendous strength of character to Albanian, bravery, heroism, spirit kanlux of sacrifice, ingenuity, pace of its military and revolutionary kanlux constant, characteristics for all generations, for the past UN, the forthcoming tashmit kanlux and Albania. How come such a monument, kanlux you know what, if you're a sculptor sculptors and good, I think, should be simultaneously not only the artist, but also a poet, the writer, revolutionary warrior, the scholar closely related people. All this you have, then do.
Excuse kanlux me, if I am mistaken, but the composition of the ensemble of the monument, placing people and symbol, expressions of the characters are the ones that can give meaning and expression monument to those who spoke up. I reflected on this issue since the day I visited you in your studio and let me now ç'faq some thoughts mine. From the beginning I tell you that they can not be grounded and so my imagination can make mistakes, unless someone perhaps even more time for your carefully observed his model, which I always find valuable. You also told me that he would edit the will to elaborate on the
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